Double Feature: Ghostwatch and The Blair Witch Project

Thanks in part to the ineptitude of the bulk of latter-day "found footage" movies, it is easy to heap derision on Ghostwatch and The Blair Witch Project, two movies that in many ways pioneered the genre. In the latter case, the fact that it became such a phenomenal cultural touchstone in 1999 also meant that it achieved the level …

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Ad Astra (Big Screen Review)

Do yourself a favor: Before strapping yourself in for this Brad Pitt star-vehicle, ignore any of the promotional material surrounding the movie, which hints at some sort of science-fiction action extravaganza that provides cosmic level entertainment. Anyone going in expecting that is bound to be disappointed. Ad Astra stands firmly instead in the tradition of universe …

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Hustlers (Big Screen Review)

Early on in Lorene Scafaria's Hustlers we follow Destiny (Constance Wu) in a single steadicam shot as she prepares for her first night at a high-end strip club in New York, the moment evoking Martin Scorsese's Goodfellas in the best possible way. Moments later, we are given an unforgettable introduction to the club's star Ramona (Jennifer Lopez) with a show-stopping …

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It: Chapter Two (Big Screen Review)

Trying to cram Stephen King's massive tome It into one movie was always going to be an impossible task. The decision back in 2014, when the It project was still a Cary Fukunaga project and not an Andi Muschietti joint, to split the movies by timeline certainly was controversial as King's weaving between the past and present lent the …

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Studio Ghibli #4: Kiki’s Delivery Service

By the time Kiki's Delivery Service came out, Studio Ghibli's penchant for finding magic in ordinary things was quickly becoming the studio's calling card. Yet, as seems to be the case with most animation studios, the critical success of Ghibli's early work did not translate into commercial success (perhaps pairing the melancholy My Neighbor Totoro with the soul-crushingly …

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Once Upon A Time… In Hollywood (Big Screen Review)

For the last half-decade or so, cinephiles and Quentin Tarantino-fans have been sifting the tea leaves with every new Tarantino release to see if he was looking to stop after making ten movies, a claim he has insisted on multiple times. With Once Upon A Time ... In Hollywood, his presumably penultimate film, we finally get …

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