Double Feature: Ghostwatch and The Blair Witch Project

Thanks in part to the ineptitude of the bulk of latter-day "found footage" movies, it is easy to heap derision on Ghostwatch and The Blair Witch Project, two movies that in many ways pioneered the genre. In the latter case, the fact that it became such a phenomenal cultural touchstone in 1999 also meant that it achieved the level …

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Hustlers (Big Screen Review)

Early on in Lorene Scafaria's Hustlers we follow Destiny (Constance Wu) in a single steadicam shot as she prepares for her first night at a high-end strip club in New York, the moment evoking Martin Scorsese's Goodfellas in the best possible way. Moments later, we are given an unforgettable introduction to the club's star Ramona (Jennifer Lopez) with a show-stopping …

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Once Upon A Time… In Hollywood (Big Screen Review)

For the last half-decade or so, cinephiles and Quentin Tarantino-fans have been sifting the tea leaves with every new Tarantino release to see if he was looking to stop after making ten movies, a claim he has insisted on multiple times. With Once Upon A Time ... In Hollywood, his presumably penultimate film, we finally get …

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Spider-Man: Into the Spider-Verse (Big Screen Review)

Look, I understand how you might be feeling. This is the seventh Spider-Man movie since 2002 and the fourth reboot. Your base instinct is to ask if another Spider-Man movie is at all necessary. Well in this case, the answer is unequivocally yes. From Phil Lord and Christopher Miller – the minds that brought you 21 Jump Street, The Lego Movie, and theoretically …

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Suspiria (2018): Big Screen Review

Public discussions about a film's general quality tends to fall into a clear-cut binary. Either the movie elicits an enjoyable emotion like joy, excitement, inspiration, awe, or love in a viewer, and therefore gets called a "good" movie. Or the movie fails to elicit those emotions and conjures up negative emotions like boredom, anger, anxiety, …

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